Monday, October 31, 2011

Costume Design 101 - 2nd edition: The Business and Art of Creating Costumes For Film and Television (Costume Design 101: The Business & Art of Creating)

Costume Design 101 - 2nd edition: The Business and Art of Creating Costumes For Film and Television (Costume Design 101: The Business & Art of Creating) Review


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Costume Design 101 - 2nd edition: The Business and Art of Creating Costumes For Film and Television (Costume Design 101: The Business & Art of Creating) Feature

  • ISBN13: 9781932907698
  • Condition: New
  • Notes: BRAND NEW FROM PUBLISHER! 100% Satisfaction Guarantee. Tracking provided on most orders. Buy with Confidence! Millions of books sold!
Written by an industry venteran with 40 years of experience, this book is the new edition of Costume Design


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Oct 31, 2011 22:50:07

Sunday, October 30, 2011

The Namesake: A Portrait of the Film (Newmarket Pictorial Moviebook)

The Namesake: A Portrait of the Film (Newmarket Pictorial Moviebook) Review


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Original essays and glorious photography, stunningly designed in this unique moviebook from the director of Monsoon Wedding and Vanity Fair—a Fox Searchlight release.

In her essay "Writing and Film," the Pulitzer Prize-winning novelist Jhumpa Lahiri writes about the experience of seeing her novel "transposed" from paper to film. "Its essence remains, but it inhabits a different realm and must, like a transposed piece of music, conform to a different set of rules….To have someone as devoted and as gifted as Mira reinvent my novel…has been a humbling and thrilling passage."

Mira Nair's essay, "Photographs as Inspiration," begins with the provocative comment: "If it weren't for photography, I wouldn't be a filmmaker." She explains how photographs help her crystallize the visual style of her films and which particular photos influenced her vision for The Namesake.

These two essays, written exclusively for this Newmarket Pictorial Moviebook, introduce an amazing panoply of images of people and places shot mainly in New York and Calcutta during the making of the movie, accented by excerpts from Lahiri's bestselling novel. Six Indian and American photographers' works are represented.

Brilliantly illuminating the immigrant experience and the tangled ties between generations, The Namesake tells the story of the Ganguli family, whose move from Calcutta to New York evokes a lifelong balancing act to adapt to a new world while remembering the old. The couple's firstborn, Gogol, and sister Sonia grow up amid these divided loyalties, struggling to find their own identity without losing their heritage. Kal Penn (Harold & Kumar Go to White Castle, Superman Returns) stars as Gogol.


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Oct 30, 2011 16:37:06

Saturday, October 29, 2011

Cinematic Modernism: Modernist Poetry and Film

Cinematic Modernism: Modernist Poetry and Film Review


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Susan McCabe juxtaposes the work of four American modernist poets with the techniques and themes of early twentieth-century European avant-garde films. The historical experience of World War One and its aftermath of broken and shocked bodies shaped a preoccupation with fragmentation in both film and literature. Film, montage and camera work provided poets with a vocabulary through which to explore and refashion modern physical and metaphoric categories of the body, including the hysteric, automaton, bisexual and femme fatale. This innovative study explores the impact of new cinematic modes of representation on the poetry of Gertrude Stein, William Carlos Williams, H. D., and Marianne Moore. Cinematic Modernism links the study of literary forms with film studies, visual culture, gender studies and psychoanalysis to expand the usual parameters of literary modernism.


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Oct 29, 2011 14:32:08

Wednesday, October 26, 2011

The Branson Missouri Scrapbook: A Guide to the New Capital of Country Music (Film Books)

The Branson Missouri Scrapbook: A Guide to the New Capital of Country Music (Film Books) Review


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A guide to the small Ozark Mountain town features more than one hundred photographs, information on nearby resorts and attractions, and opportunities to meet and learn about the country stars who live there. Original.


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Oct 27, 2011 10:00:07

Tuesday, October 25, 2011

Far From Heaven (Bfi Film Classics)

Far From Heaven (Bfi Film Classics) Review


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Cathy is the perfect ‘50s housewife, living the perfect ‘50s life: with healthy kids, a successful husband, and social prominence. Then one night she surprises her husband Frank, as he is kissing another man, and her tidy world starts spinning out of control. In her confusion and grief, she finds consolation in the friendship of their African-American gardener, Raymond—a socially taboo relationship that leads to the further disintegration of life as she knew it. Despite Cathy and Frank’s struggle to keep their marriage afloat, the reality of his homosexuality and her feelings for Raymond open a painful, if more honest, chapter in their lives.


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Oct 26, 2011 09:28:08

Monday, October 24, 2011

Nuts and Bolts Filmmaking: Practical Techniques for the Guerilla Filmmaker

Nuts and Bolts Filmmaking: Practical Techniques for the Guerilla Filmmaker Review


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Nuts and Bolts Filmmaking, an ideal book for the rapidly growing number of low-budget filmmakers, provides how-to information on the day-to-day techniques of actual low-budget production. Containing construction details describing how to replicate expensive tools for under a piece, this book provides quick and inexpensive remedies to both the most common and most difficult production challenges. Nuts and Bolts Filmmaking is an invaluable resource to anyone looking to make a film without a big budget.

* Achieve professional results with inexpensive materials from your local hardware store
*A must-have reference for all low-budget and independent filmmakers
* Time-saving tips and techniques with easy-to-follow photos


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Oct 25, 2011 07:24:11

Sunday, October 23, 2011

The Philosophy of Science Fiction Film (The Philosophy of Popular Culture)

The Philosophy of Science Fiction Film (The Philosophy of Popular Culture) Review


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The science fiction genre maintains a remarkable hold on the imagination and enthusiasm of the filmgoing public, captivating large audiences worldwide and garnering ever-larger profits. Science fiction films entertain the possibility of time travel and extraterrestrial visitation and imaginatively transport us to worlds transformed by modern science and technology. They also provide a medium through which questions about personal identity, moral agency, artificial consciousness, and other categories of experience can be addressed. In The Philosophy of Science Fiction Film, distinguished authors explore the storylines, conflicts, and themes of fifteen science fiction film classics, from Metropolis to The Matrix. Editor Steven M. Sanders and a group of outstanding scholars in philosophy, film studies, and other fields raise science fiction film criticism to a new level by penetrating the surface of the films to expose the underlying philosophical arguments, ethical perspectives, and metaphysical views. Sanders's introduction presents an overview and evaluation of each essay and poses questions for readers to consider as they think about the films under discussion.The first section, "Enigmas of Identity and Agency," deals with the nature of humanity as it is portrayed in Blade Runner, Dark City, Frankenstein, Invasion of the Body Snatchers, and Total Recall. In the second section, "Extraterrestrial Visitation, Time Travel, and Artificial Intelligence," contributors discuss 2001: A Space Odyssey, The Terminator, 12 Monkeys, and The Day the Earth Stood Still and analyze the challenges of artificial intelligence, the paradoxes of time travel, and the ethics of war. The final section, "Brave Newer World: Science Fiction Futurism," looks at visions of the future in Metropolis, The Matrix, Alphaville, and screen adaptations of George Orwell's 1984.


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Oct 23, 2011 13:38:05

Friday, October 21, 2011

The Alamo: The Illustrated Story of the Epic Film (Newmarket Pictorial Moviebook)

The Alamo: The Illustrated Story of the Epic Film (Newmarket Pictorial Moviebook) Review


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With more than 125 photos in full color and the complete screenplay, the exciting companion to the only theatrical Alamo film in over 40 years—from director John Lee Hancock, starring Dennis Quaid, Billy Bob Thornton, Jason Patric, and Patrick Wilson.

This lavish volume reveals the behind-the-scenes story of the making of this extraordinary film, covering its pre-production, the 101 days of production (most of it on the largest movie set in the world, on 45 acres near Austin, Texas), and post-production. Included is first-hand testimony from stars Dennis Quaid (Sam Houston), Billy Bob Thornton (David Crockett), Jason Patric (James Bowie), Patrick Wilson (William Barret Travis), Jordi Mollá (Juan Seguin), and Emilio EchevarrĂ­a (Santa Anna), as well as the talented production team who tell how they brought the world of 1836 Texas to vivid life with meticulously re-created costumes and sets. 125 color photos and drawings • Alamo chronology and bibliography.


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Oct 22, 2011 08:47:08

Thursday, October 20, 2011

Writing Short Films: Structure and Content for Screenwriters

Writing Short Films: Structure and Content for Screenwriters Review


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This new edition has been completely updated and revised along with the addition of several new chapters. Currently, this title remains the best selling university text book on writing short film screenplays.


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Oct 21, 2011 02:43:08

Tuesday, October 18, 2011

Hearing Film: Tracking Identifications in Contemporary Hollywood Film Music

Hearing Film: Tracking Identifications in Contemporary Hollywood Film Music Review


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Music is central to any film, creating a tone for the movie that is just as vital as the visual and narrative components. In recent years, racial and gender diversity in film has exploded, and the making of musical scores has changed drastically.

Hearing Film offers the first critical examination of music in the films of the 1980s and 1990s and looks at the burgeoning role of compiled scores in the shaping of a film . In the first section, "A Woman Scored," Kassabian analyzes desire and agency in the music of such films as Dangerous Liaisons,Desert Hearts, Bagdad Café, Dirty Dancing and Thelma andLouise. In "At the Twilight's Last Scoring," she looks at gender, race, sexuality and assimilation in the music of The Hunt for Red October, Lethal Weapon 2 and IndianaJones and the Temple of Doom. And finally, in "Opening Scores," she considers how films such as Dangerous Minds,The Substitute, Mississippi Masala and Corrina, Corrina bring together several different entry points of identification through their scores.

Kassabian ensures that modern film criticism has a new chapter written through this book. Her important and long-overdue analysis is not to be ignored. Also includes eleven musical examples.


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Oct 19, 2011 03:06:25