Sansho Dayu (Sansho the Bailiff) (BFI Film Classics) Review
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Oct 01, 2011 07:11:05
Sansho Dayu (Sansho the Bailiff) (BFI Film Classics) Review
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Oct 01, 2011 07:11:05
Studying Shakespeare on Film Review
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Sep 30, 2011 05:28:37
Watchmen: The Official Film Companion Review
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Sep 29, 2011 02:22:05
Film Noir and the Cinema of Paranoia Review
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Sep 27, 2011 19:42:06
Masculinity: Bodies, Movies, Culture (AFI Film Readers) Review
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Sep 26, 2011 18:04:13
The Anne of Green Gables Storybook: Based on the Kevin Sullivan film of Lucy Maud Montgomery's classic novel Review
Just in time for the re-release of the award-winning TV mini-series.
Beginning in 2007, PBS is broadcasting the famed Anne of Green Gables mini-series: Anne of Green Gables, Anne of Avonlea (also known as Anne of Green Gables: The Sequel) and Anne of Green Gables: The Continuing Story. All three mini-series will air at least eight times across America through 2008.
The film adaptations of Lucy Maud Montgomery's classic novels about the red-haired orphan Anne Shirley were produced by Kevin Sullivan, and they star Megan Follows and the late Colleen Dewhurst. After its debut in 1985 the mini-series earned many awards, including an Emmy for Outstanding Children's Program, a Peabody for Distinguished Broadcasting and 10 Gemini awards.
The Anne of Green Gables Storybook is a special book adaptation of Montgomery's original novel. Based on the Sullivan film production, it is illustrated with 76 delightful full-color photographs from the television series. This briefer version has the complete Anne of Green Gables story line in simple language for younger readers.
Millions more fans young and old will welcome this endearing version of a children's classic.
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Sep 25, 2011 03:17:05
The Hero and the Perennial Journey Home in American Film Review
In contemporary America, myths find expression primarily in film. What's more, many of the highest-grossing American movies of the past several decades have been rooted in one of the most fundamental mythic narratives, the hero quest. Why is the hero quest so persistently renewed and retold? In what ways does this universal myth manifest itself in American cinema? And what is the significance of the popularity of these modern myths?
The Hero and the Perennial Journey Home in American Film by Susan Mackey-Kallis is an exploration of the appeal of films that recreate and reinterpret this mythic structure. She closely analyzes such films as E.T., the Star Wars trilogy, It's a Wonderful Life, The Wizard of Oz, The Lion King, Field of Dreams, The Piano, Thelma and Louise, and 2001: A Space Odyssey. Elements of the quest mythology made popular by Joseph Campbell, Homer's Odyssey, the perennial philosophy of Aldous Huxley, and Jungian psychology all contribute to the compelling interpretive framework in which Mackey-Kallis crafts her study. She argues that the purpose of the hero quest is not limited to the discovery of some boon or Holy Grail, but also involves finding oneself and finding a home in the universe.
The home that is sought is simultaneously the literal home from which the hero sets out and the terminus of the personal growth he or she undergoes during the journey back. Thus the quest, Mackey-Kallis asserts, is an outward journey into the world of action and events which eventually requires a journey inward if the hero is to grow, and ultimately necessitates a journey homeward if the hero is to understand the grail and share it with the culture at large. Finally, she examines the value of mythic criticism and addresses questions about myth currently being debated in the field of communication studies.
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Sep 23, 2011 18:41:19
Film Noir and the Spaces of Modernity Review
Film noir remains one of the most enduring legacies of 1940s and '50s Hollywood. Populated by double-crossing, unsavory characters, this pioneering film style explored a shadow side of American life during a period of tremendous prosperity and optimism. Edward Dimendberg compellingly demonstrates how film noir is preoccupied with modernity--particularly the urban landscape.
The originality of Dimendberg's approach lies in his examining these films in tandem with historical developments in architecture, city planning, and modern communications systems. He confirms that noir is not simply a reflection of modernity but a virtual continuation of the spaces of the metropolis. He convincingly shows that Hollywood's dark thrillers of the postwar decades were determined by the same forces that shaped the city itself.
Exploring classic examples of film noir such as The Asphalt Jungle, Double Indemnity, Kiss Me Deadly, and The Naked City alongside many lesser-known works, Dimendberg masterfully interweaves film history and urban history while perceptively analyzing works by Raymond Chandler, Edward Hopper, Siegfried Kracauer, and Henri Lefebvre. A bold intervention in cultural studies and a major contribution to film history, Film Noir and the Spaces of Modernity will provoke debate by cinema scholars, urban historians, and students of modern culture--and will captivate admirers of a vital period in American cinema.
(20041001)
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Sep 22, 2011 13:58:35
Ghosts Caught on Film 2 Review
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Sep 21, 2011 09:56:05
Cutting Rhythms: Shaping the Film Edit Review
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Sep 19, 2011 16:00:34