Friday, September 30, 2011

Sansho Dayu (Sansho the Bailiff) (BFI Film Classics)

Sansho Dayu (Sansho the Bailiff) (BFI Film Classics) Review


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This text looks at Kenji Mizoguchi's film Sansho Dayu, a version of a famous Japanese folk-tale about an eleventth century feudal official forced into exile by his political enemies. In his absence, his children fall under the corrupting influence of the malevolent Sansho.


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Oct 01, 2011 07:11:05

Thursday, September 29, 2011

Studying Shakespeare on Film

Studying Shakespeare on Film Review


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A hands-on introductory guide to analyzing and discussing Shakespeare on screen. Part One establishes the differences between Shakespeare on stage and film, with Part Two providing a historical introduction to Shakespeare on film. Part Three explores the key modes and genre conventions used in Shakespeare on film and Part Four contains a series of critical essays, while Part Five discusses Shakespeare on TV. At every stage students are provided with critical knowledge and vocabulary to analyze Shakespeare on screen.


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Sep 30, 2011 05:28:37

Wednesday, September 28, 2011

Watchmen: The Official Film Companion

Watchmen: The Official Film Companion Review


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It is the most eagerly awaited comics-to-film adaptation of them all. The graphic novel that changed an industry is now a film from Warner Bros. and Paramount Pictures in association with Legendary Pictures, directed by Zack Snyder (300), and Watchmen: The Official Film Companion is the essential guide to this cinematic event. A complex, multi-layered mystery adventure, Watchmen is set in an alternate 1985 in which costumed super heroes are part of the fabric of everyday American society. When one of his former colleagues is murdered, the masked vigilante Rorschach sets out to uncover a plot to kill and discredit all past and present super heroes. Their mission is to watch over humanity… but who is watching the Watchmen?

Featuring exclusive interviews with the cast and crew, and scores of photos, this is the comprehensive guide to the new movie event.


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Sep 29, 2011 02:22:05

Tuesday, September 27, 2011

Film Noir and the Cinema of Paranoia

Film Noir and the Cinema of Paranoia Review


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Wheeler Winston Dixon engages readers in an overview of noir and fatalist film from the mid-twentieth century to the present, ending with a discussion of television, the Internet, and dominant commercial cinema. Beginning with the 1940s classics, Film Noir and the Cinema of Paranoia moves to the "Red Scare" and other ominous expressions of the 1950s. The dark cinema of the 1960s reflected the tensions of a society facing a new and, to some, menacing era of social expression.


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Sep 27, 2011 19:42:06

Saturday, September 24, 2011

The Anne of Green Gables Storybook: Based on the Kevin Sullivan film of Lucy Maud Montgomery's classic novel

The Anne of Green Gables Storybook: Based on the Kevin Sullivan film of Lucy Maud Montgomery's classic novel Review


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Just in time for the re-release of the award-winning TV mini-series.

Beginning in 2007, PBS is broadcasting the famed Anne of Green Gables mini-series: Anne of Green Gables, Anne of Avonlea (also known as Anne of Green Gables: The Sequel) and Anne of Green Gables: The Continuing Story. All three mini-series will air at least eight times across America through 2008.

The film adaptations of Lucy Maud Montgomery's classic novels about the red-haired orphan Anne Shirley were produced by Kevin Sullivan, and they star Megan Follows and the late Colleen Dewhurst. After its debut in 1985 the mini-series earned many awards, including an Emmy for Outstanding Children's Program, a Peabody for Distinguished Broadcasting and 10 Gemini awards.

The Anne of Green Gables Storybook is a special book adaptation of Montgomery's original novel. Based on the Sullivan film production, it is illustrated with 76 delightful full-color photographs from the television series. This briefer version has the complete Anne of Green Gables story line in simple language for younger readers.

Millions more fans young and old will welcome this endearing version of a children's classic.


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Sep 25, 2011 03:17:05

Friday, September 23, 2011

The Hero and the Perennial Journey Home in American Film

The Hero and the Perennial Journey Home in American Film Review


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In contemporary America, myths find expression primarily in film. What's more, many of the highest-grossing American movies of the past several decades have been rooted in one of the most fundamental mythic narratives, the hero quest. Why is the hero quest so persistently renewed and retold? In what ways does this universal myth manifest itself in American cinema? And what is the significance of the popularity of these modern myths?

The Hero and the Perennial Journey Home in American Film by Susan Mackey-Kallis is an exploration of the appeal of films that recreate and reinterpret this mythic structure. She closely analyzes such films as E.T., the Star Wars trilogy, It's a Wonderful Life, The Wizard of Oz, The Lion King, Field of Dreams, The Piano, Thelma and Louise, and 2001: A Space Odyssey. Elements of the quest mythology made popular by Joseph Campbell, Homer's Odyssey, the perennial philosophy of Aldous Huxley, and Jungian psychology all contribute to the compelling interpretive framework in which Mackey-Kallis crafts her study. She argues that the purpose of the hero quest is not limited to the discovery of some boon or Holy Grail, but also involves finding oneself and finding a home in the universe.

The home that is sought is simultaneously the literal home from which the hero sets out and the terminus of the personal growth he or she undergoes during the journey back. Thus the quest, Mackey-Kallis asserts, is an outward journey into the world of action and events which eventually requires a journey inward if the hero is to grow, and ultimately necessitates a journey homeward if the hero is to understand the grail and share it with the culture at large. Finally, she examines the value of mythic criticism and addresses questions about myth currently being debated in the field of communication studies.


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Sep 23, 2011 18:41:19

Thursday, September 22, 2011

Film Noir and the Spaces of Modernity

Film Noir and the Spaces of Modernity Review


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Film noir remains one of the most enduring legacies of 1940s and '50s Hollywood. Populated by double-crossing, unsavory characters, this pioneering film style explored a shadow side of American life during a period of tremendous prosperity and optimism. Edward Dimendberg compellingly demonstrates how film noir is preoccupied with modernity--particularly the urban landscape.

The originality of Dimendberg's approach lies in his examining these films in tandem with historical developments in architecture, city planning, and modern communications systems. He confirms that noir is not simply a reflection of modernity but a virtual continuation of the spaces of the metropolis. He convincingly shows that Hollywood's dark thrillers of the postwar decades were determined by the same forces that shaped the city itself.

Exploring classic examples of film noir such as The Asphalt Jungle, Double Indemnity, Kiss Me Deadly, and The Naked City alongside many lesser-known works, Dimendberg masterfully interweaves film history and urban history while perceptively analyzing works by Raymond Chandler, Edward Hopper, Siegfried Kracauer, and Henri Lefebvre. A bold intervention in cultural studies and a major contribution to film history, Film Noir and the Spaces of Modernity will provoke debate by cinema scholars, urban historians, and students of modern culture--and will captivate admirers of a vital period in American cinema.

(20041001)


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Sep 22, 2011 13:58:35

Tuesday, September 20, 2011

Ghosts Caught on Film 2

Ghosts Caught on Film 2 Review


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From shadowy figures, strange mists and apparitions to angels and demons, Ghost Photos is a compendium of extraordinary phenomena caught on film. The author has spent over 10 years studying thousands of photographs and here he presents a collection of the most intriguing in seven enigmatic chapters. This book includes a gallery of explainable photographic effects that are commonly mistaken for pictures of ghosts.


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Sep 21, 2011 09:56:05

Monday, September 19, 2011

Cutting Rhythms: Shaping the Film Edit

Cutting Rhythms: Shaping the Film Edit Review


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There are many books on the technical aspects of film and video editing: e.g., how to use software packages like Final Cut Pro and Avid. Much rarer are books on how an editor thinks and makes decisions. Faced with hundreds of hours of raw footage, a film editor must craft the pieces into a coherent whole. Rhythm is a fundamental tool of the film editor; when a filmmaker adjust the length of shots in relation to one another, he or she affects the entire pace, structure, and mood of the film. Until this book, rhythm was considered a matter of intuition; good editors should just 'know' when to make a cut.

Cutting Rhythms breaks down the issue of rhythm in an accessible way that allows filmmakers to apply the principles to their own work and increase their creativity. This book offers possibilities rather than prescriptions. It presents questions  editors or filmmakers can ask themselves about their work, and a clear and useful vocabulary for working with those questions.

Filled with timeless principles and thought-provoking examples from a variety of international films, this book is destined to become a staple in the filmmaker's library.

* This is the only book to address the issue of rhythm in film editing. It's what separates an OK film from a great one!
* Easy-to-apply principles that will translate to better work. Don't just guess where to make a cut--read this book.
* Examples from a range of international films show you practical illustrations of the concepts at work.


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Sep 19, 2011 16:00:34