The Film Noir Encyclopedia

The Film Noir Encyclopedia Review

Enter the world of film noir, a world of darkness, ambiguity, and moral corruption. Meet the cynical and obsessive heroes of film noir portrayed by actors like Humphrey Bogart, Peter Lorre, James Cageny, Joan Crawford, and Bette Davis. You may encounter a gun-toting gangster, a femme fatale wrapped in fur, a detective with the brim of his hat turned down, or a desperate murderer lurking in the shadows of a doorway. It's a world we all know - the seedy underbelly of the American Dream, and every bit as much a part of our culture.

This wonderfully exhaustive text - tallying more than three hundred thousand words with hundreds of film stills and photos new to the work - distills everything about the movement into one volume from movies to stars to themes and motifs, and brings us up to date with contemporary contributions to the movement. Now completely revised, expanded, and redesigned, this classic pioneering work is the final word on a dark subject.

Prometheus: The Art of the Film

Prometheus: The Art of the Film Review

Visionary filmmaker Ridley Scott returns to the genre he helped define, creating an original science fiction epic set in the most dangerous corners of the universe. The movie takes a team of scientists and explorers on a thrilling journey that will test their physical and mental limits and strand them on a distant world, where they will discover the answers to our most profound questions and to life's ultimate mystery.

With an introduction by Scott himself, this lavish book will be the only publication to accompany Prometheus. Stunning production art and behind the scenes photos will grant the reader a window on the process of creating this astounding new epic.

100 Ideas that Changed Film

100 Ideas that Changed Film Review

This inspiring book chronicles the most influential ideas that have shaped film since its inception. Entertaining and intelligent, it is both a concise history and a fascinating resource. Each idea is presented through informed text and arresting visuals paying homage to the medium's great classics. We learn why and how the ideas first evolved and what their impact has been up to the present day.

101 Things I Learned (TM) in Film School

101 Things I Learned (TM) in Film School Review

What are the essentials of screenplay structure? What's the difference between plot, story, and theme? What's the best camera angle to convey inner psychology? How are movie finances structured?

These questions and more are answered in this exquisitely packaged book by Neil Landau, an experienced screenwriter and script consultant to the major movie studios. Presented in the familiar format of the popular 101 THINGS I LEARNED® book series, 101 THINGS I LEARNED IN FILM SCHOOL's two-page, illustrated lessons will engage, inform, and inspire film school students, amateur filmmakers, high school grads, industry professionals, and casual aficionados.

Film Art: An Introduction

Film Art: An Introduction Review

Film is an art form with a language and an aesthetic all its own. Since 1979, David Bordwell and Kristin Thompson's Film Art has been the best-selling and widely respected introduction to the analysis of cinema.

Taking a skills-centered approach supported by a wide range of examples from various periods and countries, the authors strive to help students develop a core set of analytical skills that will deepen their understanding of any film, in any genre. Frame enlargements throughout the text enable students to view images taken directly from completed films, while an optional, text-specific tutorial CD-ROM helps clarify and reinforce specific concepts addressed in the text with the use of film clips. Building on these strengths, the ninth edition adds coverage of new technologies, updated examples, and references to the authors' acclaimed weblog to provide unparalleled currency and connect students with the world of cinema today.

Cut by Cut: Editing Your Film or Video

Cut by Cut: Editing Your Film or Video Review

Learn how skilled editors can turn raw footage into polished art for film, television, or web. With practical project guidelines and advice on organizing digital and film cutting rooms, and much more.

How Not to Make a Short Film: Secrets from a Sundance Programmer

How Not to Make a Short Film: Secrets from a Sundance Programmer Review

"Roberta Munroe is that rare person in the film world who can not only recognize an inspired, great film, but she can actually help you make one."
--Mark Duplass, Sundance and SXSW award-winning filmmaker.

"Roberta Munroe is brilliant. Her advice and insights on our project, The Tribe, from rough cut to completed film were instrumental and invaluable to its success. It is exciting to think that all filmmakers will have access to her incredible mind and experience through this book."
--Tiffany Shlain, award-winning filmmaker

Anyone can make a short film, right Just grab some friends and your handheld and you can do it in a weekend or two before being accepted to a slew of film festivals, right

Wrong.

Roberta Munroe screened short film submissions at Sundance for five years, and is an award-winning short filmmaker in her own right. So she knows a thing or two about how not to make a short film. From the first draft of your script to casting, production, editing, and distribution, this is your one-stop primer for breaking into the business. Featuring interviews with many of today's most talented writers, producers, and directors, as well as revealing stories (e.g., what to do when the skinhead crack addict next door begins screaming obscenities as soon as you call "action") from the sets of her own short films, Roberta walks you through the minefield of mistakes that an aspiring filmmaker can make--so that you don't have to make them yourself.